Due to the sheer scale of this comment community, we are not able to give each post try again, the name must be unique, Please Miller died in 2006 and was not alive to hear the good news -- or the news that she was exploited by Browne. Variety reported: "From a histrionic standpoint Sylvia Sidney is the whole works." https://www.legacy.com/obituaries/name/sidney-jeter-obituary?pid=178359122 But Sidney, known for her volatile on-set temper, was unhappy with most of what Hollywood offered her and constantly returned to the stage. Sidney wrote two books on one of her favorite pastimes, needlepoint: The Sylvia Sidney Needlepoint Book and The Sylvia Sidney Question and Answer Book on Needlepoint. The Evening Journal said, "No one on the screen has a gloomier time than Sylvia Sidney . Seven-decade career included 'Sabotage,' 'Dead End'. Sylvia Sidney died on July 1, 1999 at the age of 88. Schulberg. She was a shy, introverted child who stammered, so her parents enrolled her for elocution and dancing lessons and at 15 she entered the Theatre Guild School. In 2002, Browne told the parents of missing 11-year-old Shawn Hornbeck on the Montel Williams Show that the child was dead and kidnapped by a dark-skinned man with dreadlocks. Though An American Tragedy (1931) proved a commercial and critical failure, Sidney's performance as the factory worker who becomes pregnant and is drowned by her social-climbing lover (Phillips Holmes) won praise. William Dieterle's film version of Lillian Hellman's play The Searching Wind (1946) should have been a prestigious vehicle, but Sidney's role as an idealistic newspaperwoman who loves a diplomat whose appeasing ways help lead to the Second World War was not convincingly developed and the script failed to clarify its viewpoint. Yes, it's true. On Broadway, Miss Sidney appeared in Ben Hecht's ''To Quito and Back'' (1937), Irwin Shaw's ''Gentle People'' (with the Group Theater, 1939), Carl Reiner and Joseph Stein's ''Enter Laughing'' (1963) and Tennessee Williams's ''Vieux Carre'' (1977). “Your daughter’s not the kind who wouldn’t call.”. She toured in “Pygmalion” and Noel Coward’s “Tonight at 8:30.” Her appearance in the thriller “Angel Street” was the sensation of the 1941-42 Broadway season. It allows our most engaged readers to debate the big issues, share their own experiences, discuss Enter your email to follow new comments on this article. “Those were the days when they used to pay me by the teardrop and since I needed the money, I compromised and played the tragic heroine in a few duds,” she later told the New York Times. (Timothy M. Gray contributed to this report.). Being a star never attracted her, she often said, “being an actress did.”, Already an established stage name, she made her film debut playing herself in the 1927 “Broadway Nights.” She went on to star in such pics as “Street Scene,” “An American Tragedy” (both 1931), Alfred Hitchcock’s “Sabotage,” and two 1937 hits, Fritz Lang’s “You Only Live Once” and William Wyler’s “Dead End.”. More recently she co-starred with Shirley MacLaine and Jessica Tandy in “Used People” and did hilarious turns in two Tim Burton films, “Beetlejuice” (1988) and “Mars Attacks!” (1996). In the 1950s she frequently appeared on live dramatic shows, including “Playhouse 90” and “Broadway TV Theatre,” in such productions as “The Helen Morgan Story” and Paddy Chayefsky’s “Catch My Boy on Sunday.” Her screen roles were intermittent. She underwent chemotherapy, which proved unsuccessful, and died a month before her 89th birthday. Memorial services are skedded Aug. 9 at the National Arts Club in New York. “I didn’t leave Hollywood because of anybody but myself. The existing Open Comments threads will continue to exist for those who do not subscribe to
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