But, over 20 stanzas, many … But the poem brought Millay's talent to the attention of Caroline Dow, who directed the New York YWCA National Training School; Dow then paid for Millay to attend Vassar. A poet and playwright poetry collections include The Ballad of the Harp-Weaver (Flying Cloud Press, 1922), winner of the Pulitzer Prize, and Renascence and Other Poems (Harper, 1917) She died on October 18, 1950, in Austerlitz, New York. My first and best guess about what the poet was trying to get across in this section was derived from reading different biographies about the poet. Millay composed this masterpiece when she was only twenty years old. She begs to be placed back on earth, as she implore God to wash away her grave. The experience of simply observing nature turns mystical as the speaker continues to describe events that occur during her observation. She refers to herself a "finite Me," drawing the distinction between her little self and the Infinite Self. In the second stanza, the speaker descends into the earth, yet not as one deceased but as one very much alive, feeling her soul leave her body. Just as Eve bite into the forbidden fruit the young girl sucks the "venom" out of the knowledge. . The poem took only fourth place; however, the brilliance of the work caused embarrassment to those whose pieces were judged above Millay's. For my explanation for using only the original form, please see "Rime vs Rhyme: An Unfortunate Error."). 1917. The speaker feels now that she realizes the Divine who pervades all of nature. Edna St. Vincent Millay was born in Rockland, Maine, on February 22, 1892. A person stands and looks at mountains, turns to look at a bay, lies down and screams, and gets up. However, as this sing-songy poem is dissected, the reader embarks upon a world full of emotion, religion, confusion, pain and sin. 1917. This poem is split up into six sections or stanzas which separate the action of the poem into easy to understand parts. Essay An Analysis of Millay's Poem, Renascence, An Analysis of Millay's Poem, Renascence To read the entire poem, please visit “Renascence” at the Poetry Foundation. (Please note: The spelling, "rhyme," was introduced into English by Dr. Samuel Johnson through an etymological error. Edna St. Vincent Millay's poem, "Renascence," consists of 214 lines of rimed couplets. The poem dramatizes a unique mystical experience, made even more singular having been undergone by one so young. Edna St. Vincent Millay was born in Rockland, Maine in February of 1892. This gift asks in return the toll of an "infinite remorse of soul." This achievement got her initial recognition in the literary community. Millay wrote "Renascence" when she was just nineteen years old and was her first poem to win an award. It was obvious to those entrants that Millay's piece was a far more first-place worthy poem. She is startled by this experience and closes the stanza claiming that she has endured death from the weight of Infinity covering her, yet she "could not die. Renascence and Other Poems. However, as this sing-songy poem is dissected, the reader embarks upon a world full of emotion, religion, confusion, pain and sin. The first stanza, which consists of ninety lines, describes an experience that the speaker begins quite casually by reporting that all she could see from her present vantage point were mountains and a wooded area as she looked one direction, and then as she turned her head to see what else the landscape offered, she saw a bay in which three islands stood. The themes introduced at the beginning of this poem hint at the time frame when the poem might be written and the feelings about life the poet might be going through. Library of Congress: Arnold Genthe, 1869-1942, photographer. Renascence : ALL I could see from where I stood: Was three long mountains and a wood; I turned and looked the other way, And saw three islands in a bay. The question, "would she do it again and was it worth knowing?" The mood for this poem is dark, depressing, lonely. Millay begins her poem by describing, in first person, the, This opportunity is the evil gift the girl cannot give up. The speaker also realizes that she will never again observe the beauty of spring as silver and fall as gold. She has great difficulty explaining such a miracle as she asserts that she cannot explain how such an event occurred, but she only knows that it happened to her, and she is quite convinced of its reality and importance. (If you have access to a record player and can get Millay’s 1941 Caedmon recording that’s even better). 1. The girl goes on to describe the horror of her new found knowledge and her new position of power. Towards the end of the stanza it is hinted that she cannot take the weight that has been forced upon her, "Mine, pity like the pity of God./ Ah, awful weight! She says that the sky is so big but that it must end somewhere, and then she exclaims that she can actually view the top of the sky! Although this section is the easiest to read, it sets up the action and requires the most "reading between the lines" to follow along with the quick and meaningful happenings. Renascence and Other Poems ... Edna St. Vincent Millay (1892–1950). Millay’s unusual name stemmed from personal family history. She seemed to have a supernatural ability to know what other people are experiencing. She wants to be able experience the gentle breezes that waft through "drenched and dripping apple-trees.". Visit “ Renascence ” at the poetry Foundation one can only wonder such... Poems for publication in the literary community as she implore God to wash away her grave, scarce... 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