He did not enjoy making films; he said there never seemed to be enough time to develop a character. (Kazan said that Carnovsky, like others he named, already were known by the Committee.) The attempted coup was never launched.In 1950, Carnovsky was hailed before HUAC, where he refused to "name names." Eventually, he landed in New York City, where he became a member of the Theatre Guild, the legendary theatrical company appearing as Kublai Khan in Nobel Prize winner 'Eugene O'Neill's play "Marco Millions' (I)'. During his tenure with the Group, Carnovsky took time out to appear in the Theatre Guild's Pulitzer Prize-winning Men In White(1933); he also made his first film appearance, playing Anatole France in the 1937 Oscar-winner The Life of Emile Zola. This resulted in his blacklisting, not Kazan's testimony. Concentrating on supporting roles, he moved to New York City and joined the Theater Guild, playing everything from Alyosha in "The Brothers Karamazov" to Kublai the Great Khan in "Marco Millions" to the Judge in "Volpone" to Brother Martin in the world premiere of "Saint Joan." Shakespeare at 60. "We were more interested in the science of acting than in so-called social ideas," he said in 1975. " A Stage-Struck Child, Mr. Carnovksy was born in St. Louis on Sept. 5, 1897, the son of a grocer who took him to Yiddish theater as a child. After graduating Phi Beta Kappa from Washington University in 1920, he moved to Boston and made his first appearance as a professional actor with the Henry Jewitt Players. He worked briefly in the Yiddish theatre before attending Washington University in St. Louis. Although he was then almost 60, he had never performed any Shakespeare. However, he had been effectively blacklisted -- unofficially banned from appearing in Hollywood films -- since 1950, two years before Kazan sang before HUAC, when Carnovsky himself refused to "name names" before the Committee. He appeared prominently in Odets' plays "Awake and Sing" and Golden Boy (1939). We were looking for real, living drama. He acted in many Broadway productions throughout the 1950s and into the '60s.A part in Sidney Lumet's film version of Arthur Miller's A View from the Bridge (1962) did not revive his movie career, and he continued to act on stage. Carnovsky spent his earliest professional years in the Henry Jewitt and E. E. Clive stock companies, and also worked at the legendary Provincetown Playhouse. Kazan and Strasberg later founded the Actors Studio, America's premier acting school that promulgated "The Method" via such alumni as James Dean, Paul Newman and hundreds of others.Carnovsky was a member of the Group Theater until it broke up in 1940. ", All but banished from the California sound stages, he headed back to New York, where in 1953 he began a two-year Off-Broadway run in "The World of Sholem Aleichem." Kazan had quit the cell in the mid-1930s, he said, when it was ordered by the Party to undermine Harold Clurman and Lee Strasberg (who did not know his wife was a communist) and take over the Group Theatre. "There was such richness in their portrayals of Jewish life," he said in a 1975 interview. Like most actors of his generation, he worked his way up the ladder by first appearing with traveling stock companies. Buy from our range of Morris Carnovsky titles with FREE delivery from ZOOM.co.uk Morris Carnovsky was one of the more prominent victims of the Hollywood blacklist, being named as a Communist party member by both Elia Kazan -- the most infamous of the informers who sang before the House Un-American Activities Committee in the era blacklistee Lillian Hellman called the "Scoundrel Time" -- and Sterling Hayden. 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