One should remember that no one knew that one of the dead villagers may have achieved greatness in life. ".The poem most likely originated in the poetry that Gray composed in 1742.There are two possible ways the poem was composed. As early as 1733, for example, representatives from Middlesex sought to “Ease” the “Tranquility of the Inhabitants” by erecting a workhouse for the “Employment and Maintenance of the Poor.” Apparently the “clamorous Proceedings and irregular Behaviour” of the “great Multitude” who attended the Vestry not only discouraged the town’s “principal Inhabitants from attending,” but also so alarmed these inhabitants that they sought to keep the poor better employed. This sense of a rural working class is perhaps reinforced by constant reminders in Gray’s poem of their illiteracy. Therefore, that information is unavailable for most Encyclopedia.com content. I will list only a few examples germane to the elegy. On 7 November, Mary Antrobus, Gray's aunt, died; her death devastated his family. Invariably, every human life ends in death. He reminds readers that it is not merely about the virtues of the poor, but a declaration that all persons, rich and poor, are mortal.This book-length overview of Gray’s life and career provided students with a good general background of the poet’s importance.Hutchings, W., “Syntax of Death: Instability in Gray’s.This essay gives a focused, scholarly look at Gray’s use of language and punctuation, with ample references to other poems and other critics’ thoughts.McCarthy examines the development of Gray’s life and thought, giving special attention to his translations and, of course, the “Elegy.”,"Elegy Written in a Country Churchyard But more likely, it refers to the speaker, who is himself moralizing—preaching or contemplating—about the nature of both life and death.The speaker reasons that most people, faced with the prospect of dying and ultimately being forgotten, cling to life. W.Tindal's musical setting for voices was of the "Epitaph" (1785).The only other example yet discovered of a translation of the Elegy set to music was the few lines rendered into German by Ella Backus Behr (1897–1928) in America.The immediate response to the final draft version of the poem was positive and Walpole was very pleased with the work. As the speaker does so, the poem shifts and the first speaker is replaced by a second who describes the death of the first:For thee, who, mindful of th' unhonour'd dead.The poem concludes with a description of the poet's grave, over which the speaker is meditating, together with a description of the end of the poet's life:"There at the foot of yonder nodding beech.An epitaph is included after the conclusion of the poem. What ideological pressures does Gray confront in his treatment of the poor? Certainly, the latter is more appropriate. Much of that resonance is due to the great classic literary texts the “Elegy” borrows from, and the major human stories it manages to contain. DIED: 1687, Beaconsfield, England There are certain images, which, though drawn from common nature, and everywhere obvious, yet strike us as foreign to the turn and genius of Latin verse; the beetle that flies in the evening, to a Roman, I guess, would have appeared too mean an object for poetry.”.Anstey did not agree that Latin was as unpliable as Gray suggests and had no difficulty in finding ways of including all these references, although other Latin translators found different solutions, especially in regard to inclusion of the beetle.One other point, already mentioned, was how to deal with the problem of rendering the poem's fourth line. Pastoral poetry often involves nostalgia for a past, but that past doesn’t necessarily exist. The beauty of the poem lies in its simplicity. And which of us, when visiting a country churchyard, has not spared a thought for the unknown men and women whose simple lives are commemorated by mere names and dates?Another book you may not have heard of whose title is taken from the poem is.I love this poem. As David Simpson has argued, a genuinely historical method should include an inquiry into the “allusions that they [texts] do not make, but would arguably have been expected to make.” I would suggest that although there are no direct references either to the legislation concerning the poor or to charity within the poem, the elegy’s epitaph takes on important resonances when considered in terms of the politics of such benevolence.

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