Tempera and oil on wood; framed: 115 x 12.5 cm (45 1/4 x 4 15/16 in. Patronized by the leading families of Florence, he also received important public commissions and ran a large workshop with many assistants. They were much appreciated in the 15th century and often ordered by patrons and guilds to decorate palaces or for use as objects of private devotion. The inclusion of the young Saint John the Baptist, the patron saint of Florence, would have added to the appeal of the painting for its original owner, who is likely to have displayed it at home. Saint John the Baptist, Christ’s cousin, looks down at the infant from behind. In fact, it is possible to list at least a dozen productions by Botticelli, all of the last decade of the century, similar in composition to the work of MASP, the closest being the tondo that is conserved at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, identical to the title of this work and also dated around 1490. The work is currently housed in the São Paulo Museum of Art. It is housed in the Cleveland Museum of Art. This painting, intended for private devotion, possesses characteristics of Botticelli's later manner-a certain stiffness in the profiles and drapery folds, a continued elegance as in the hands of the Virgin and Saint John, and such improvised details as the free painting of roses on top of the lilies originally sketched at right. The full text of the article is here →, {{$parent.$parent.validationModel['duplicate']}}, Museo de Arte de Sao Paulo (MASP), Sao Paulo, Brazil, en.wikipedia.org/wiki/Virgin_and_Child_with_the_Infant_St._John_the_Baptist_(Botticelli), 1-{{getCurrentCount()}} out of {{getTotalCount()}}, Virgin and Child with the Infant St. John the Baptistbetween, https://en.wikipedia.org/wiki/Virgin_and_Child_with_the_Infant_St._John_the_Baptist_(Botticelli). Virgin and Child with the Young Saint John the Baptist c. 1490 Sandro Botticelli and Workshop (Italian, 1444/45-1510) Loggy and Alex’s friendship in Miami’s redeveloping Liberty Square is threatened when Loggy learns that Alex is being relocated to another community. The Italian art historian Roberto Longhi notes that the drawing of the scene is structured through "cross and radial lines" and not by "arching flexible lines", which places the work in the aforementioned context of freer composition that marks the maturing style of the painter in the late 15th century. Sandro Botticelli: The Virgin and Child with Saint John the Baptist. Help keep us free by making a donation today. He is balanced on a small table, the only piece of furniture, but is dangerously close to its edge; a closed book further restricts the space available to him. Tempera and oil on wood; framed: 115 x 12.5 cm (45 1/4 x 4 15/16 in. ... Virgin and Child with the Infant St. John the Baptist Sandro Botticelli 1490 - 1500. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). [1], Virgin with Child and the Young John the Baptist (Botticelli), The Story of Nastagio Degli Onesti, part one, Venus and the Three Graces Presenting Gifts to a Young Woman, A Young Man Being Introduced to the Seven Liberal Arts, Madonna of the Rosegarden (Madonna del Roseto), Madonna of the Magnificat (Madonna del Magnificat), Madonna of the Pomegranate (Madonna della Melagrana), Madonna Adoring the Child with Five Angels, Virgin and Child with the Infant St. John the Baptist, The Virgin and Child with Three Angels (Madonna del Padiglione), Portrait of a Man with a Medal of Cosimo the Elder, https://en.wikipedia.org/w/index.php?title=Virgin_and_Child_with_the_Young_Saint_John_the_Baptist_(Botticelli)&oldid=962932184, Articles using Infobox artwork/wikidata using locally defined parameters, Creative Commons Attribution-ShareAlike License, This page was last edited on 16 June 2020, at 20:26. Sandro Botticelli (Italian, 1444/45-1510), and Workshop. Botticelli was renowned for the refinement and sweet delicacy of his figures. (b. Botticelli shows three of the saint’s miracles set in the streets of Florence. The Virgin and Child with the Infant Saint John the Baptist is a tempera painting on wood executed by the Italian Renaissance master Sandro Botticelli and his studio (Bartolomeo di Giovanni or Raffaelino di'Carli). If you look closely you can see bright red blood on Christ’s feet and his white loin cloth, where it has dripped from the wound in his s... Botticelli painted at least six scenes of the Adoration of the Kings. This painting was made as part of a group of four works that tell the story of the life of Florence’s patron saint, Zenobius; it is the first of the series. The Virgin Mary sits in the corner of a simple room, the Christ Child on her lap. The four pillars have Corinthian capitals and support a partly broken entablature, into which a thatched roof has been inserted. 1817- d. 1885), Witley Court, Worcestershire; June 25, 1892, posthumous Earl of Dudley sale, Christie, Manson, and Woods, lot 49, sold for £420 to Lesser. This, one of his most expansive and ambitious, is painted in a circular format called a tondo. Tempera and oil on wood; framed: 115 x 12.5 cm (45 1/4 x 4 15/16 in. The four pillars are positioned so that the Virgin and Saint John the Baptist seem to extend or support them, creating the impression that they herald a new beginning. , and workshop, one of the Madonna with the Young Saint John the,... Her breast dotted across the distant hills son, Christ ’ s cousin, down... To whether Botticelli or his pupil, Filippino Lippi, produced this work known. Large workshop with many assistants attributed to Botticelli and his workshop Christ on! 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