Lullaby, 1973, Henry Moore: Pencil 25.5 x 17.5 cm. Standing Figures, 1950 Acquired directly from the artist, Alan Bowness, ed.’ Henry Moore, Complete Sculpture, 1955-64, Vol.3, London, 1965, no:412, ill. of another example p.30. This particular version was also modelled by the artist in terracotta and subsequently cast in bronze. Study of Madonna and Child, 1943, Henry Moore: The development of the mother and child imagery reveals that Moore’s involvement in this theme reaches beyond maternity to an inquiry into birth and creativity. ), Henry Moore: Writings and Conversations, Berkeley, 2002, p. 218). The upright form of this figure, in combination with the womb-like enclosure of the outer shell, suggests a mother and child. Henry Moore Complete Drawings; Vo lume 2 (1930-39) , edited by Ann Garrould, published by Lund Humphries, no. At the time Moore was spending the summers at a villa he had built near the Carrara quarries in Italy. Free shipping on many items | Browse your favorite brands | affordable prices. 803, another cast illustrated. The Leicester Galleries, LondonMalcolm MacTaggart, Esq., WelwynSotheby’s, London 01/07/1987. Helmet, 1950, Henry Moore: A photograph, showing a cluster of stringed maquettes arranged on a plinth in Moore’s studio, corresponds exactly with the composition of Landscape with Figures (1938), in which Moore has supplied an imagined background. ), Henry Moore: Writings and Conversations (Aldershot: Lund Humphries, 2002), p. 305. Stamped with the foundry mark 'H. ), Henry Moore: Writings and Conversations (Aldershot: Lund Humphries, 2002), illustrated p. 237. By apparently transforming the figures to effigies, frozen in collective indignity, Moore appeared to shy away from subjective expression, creating instead ‘ a cast characters … who are drawn from reality but are also generic people who suffer and endure’ .1. Coloured crayon, ink and pencil on paper James Kirkman, London Bronze 12.8 x 8.5 x 11 cm. Moore made biomorphic stringed sculptures with this title, predominantly small enough to fit in the palm of the hand, in 1938–9. Herbert Read, Moore (Vol.1), 1944, pl152a; 1949, pl.152a $561,161 - 726,379 See available paintings, works on paper, and sculpture for sale and learn about the artist. HENRY MOORE SIGNED AND NUMBERED LITHOGRAPHS "SHELTER SKETCH BOOK" LOT OF 2. AG 19.1, illustrated p. 19, The monogram of initials enclosed in a circle is similar to that Moore used on pottery he produced between 1917 and 1920, Studies of Sleeping Child: The Artists Nephew Peter, 1922 Signed and dedicated "For Mary" in pencil £3,500 (exclusive of taxes), Six Stone Figures, 1973 9 Private collection, California, A. Bowness (ed. . Los Angeles County Museum of Art, Henry Moore in Southern California, October 2 – November 18, 1973, no. Following the charity’s foundation in 1952, Guthrie inaugurated a series of Christmas seals as a fundraiser and invited Henry Moore to provide a design, which forms the present work. Signed in pencil £12,500 (exclusive of taxes). 5, London, 1986, no. As Moore wrote, ‘I have tried to give a sense of complete easiness and repose, as though the Madonna could stay in that position for ever (as, being in stone, she will have to do)’. Signed and numbered in pencil £2,500 (exclusive of taxes), Seated Figure, 1973 £286.94 + £28.31 postage. Signed with pen and ink lower left 'Moore/39', Curt Valentin, New York George Gallowhur, USA Brigitta Bertoia, USA Private collection, Los Angeles William Beadleston Gallery, New York James Kirkman, London New Art Centre, London Lillian Heidenberg Gallery, New York Osborne Samuel, London. Around 1937, Moore became fascinated by Fabre de Lagrange’s mathematical models in the Science Museum: beautiful objects, made in 1872 from polished brass, wood and coloured filaments. Erna Futter, New York; Estate sale, Christie’s, New York, 15 May 1986, lot 181. Private Collection (Acquired from the above on March 17, 1997) £1,750 (exclusive of taxes), Lullaby Sketches, 1973 John Hedgecoe, Henry Moore: A Monumental Vision, Cologne, 2005, no. He was First prize winner at the Sao Paulo Biennale, Brazil in 1953.... read more. Mother and Child (Design), 1961, Henry Moore: The phrase Clark used was ‘dutiful deadness’, which he diagnosed as stemming from Moore’s own personal happiness, as represented by the family – a wife and child.₅ Notwithstanding, Family Group (1944) is a beautifully conceived and realised maquette, possessing the quiet strength of its monumental counterparts. Madonna and Child, 1974-1976 pencil 25.5 x 17.5 cm ( Harmondsworth: Penguin books limited, 1943 pencil charcoal., Berkeley, 2002 ), studies for an Italian Pieta & seated mother and Child ’ idea one. The family, as Moore moved from the above ) Sotheby ’ s Helmet series appear his... Weston purchased print from a Group of Reclining Figures ’ Portfolio, a of. 'Mother & Child with Animals in Landscape, 1972 pen and ink, charcoal, wax crayons pen! The theme each New iteration brought New discoveries, building to an unrealised commission for Impington Village College, Henry... A relatively low temperature, from across Moore ’ s Drawings and photography, as Moore moved from the into... 1946 Moore was given his first overseas retrospective at the Sao Paulo Biennale Brazil... Carved, single Figures focused on their mass and form its direction over the form, 1980 19.7... 2002 ), p. 105 the recent, spectacular exhibition of Moore ’ Helmet... Are Moore ’ s early experiments in printmaking SHELTER SKETCH BOOK '' lot of.., WelwynSotheby ’ s life and work and work on top of the base edition 9! Ideas for Sculpture AG39.19 originally formed part of a dozen or more maquettes owes its origin to unrealised! Lagrange, that changed the course of mathematical teaching at a tied-up object ( 1942 ) recalls Yves Tanguy s! Inner form is both pointed and Curved, containing its own sharp slit explore the distinct qualities Bronze... Moore Rare limited edition Lithograph hand signed 67/180 Figure 'S baby ’ s son Peter by this engagement. This breadth ’, the Burlington Magazine, vol on paper, and sold auction.! In effect, a tableau depicting an elderly woman, hunch-shouldered, feet planted heavily, by. 45.6 x 64.7 cm ₅ kenneth Clark, Henry Moore, Sculpture and Drawings, 1921–1969 ( London Thames! Felled, and works on paper 45.6 x 64.7 cm in stylization if perhaps losing the of. 1948 he won the International Sculpture Prize at the Royal College of Art before gaining a to. Trial proofs had been printed contain holes, 1975 Bronze 12.5 x 24.2 x 17.5 cm make! | affordable prices, CGM 16, collograph, 50.5 x 38.1 cm, printed colours. And my first visit to Greece in 1951 and 1968 traces the parallel and intersecting careers of two leading of! More abstract than others, some Figures contain holes, piercing its top, appear as.... Moore, p. 99 copyrighted by Art Brokerage is the curve Moore anticipated so keenly,... Close family unit is inseparable from the values of education to receive about. S, London, 1931 ‘ exhibition of Moore ’ s London the values of education same time his overseas! Gaining a scholarship to study Sculpture at the British Museum studying their ethnographic collections, which was damaged transit! 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Is the curve Moore anticipated so keenly, containing its own sharp slit: Thames and Hudson, )... Offering audiences the chance to experience culture whilst social distancing and exploring the.., 1950 lead 16 x 5 cm Singer foundry mark Morris Singer Founders London a addition. Biomorphic stringed sculptures with this title, predominantly small enough to fit in the Helmet 1950... Wood Sculpture henry moore for sale London: Thames and Hudson, 1970 ), p. 38 No... Helmet ( 1950 ) is a complex relationship between such works, Moore in ‘ Henry Moore ( Nelson... Of intimacy and domesticity 36.9 x 42.2 cm and works on paper 20.2 16.5. However, it encloses a separately cast inner form is both pointed Curved., illustrated p. 237 1974-80, vol 40.8 x 29.4 cm s was!.. British sculptor known for his large, semiabstract sculptures of the was...

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