Let England Shake is too hazy historically and geographically to be pinned down solely on her, shifting throughout different time periods, countries and perspectives; it's too conflicted. She's long been cast as a reluctant interviewee, loathe to give away any detail which might pin down her work with a definitive interpretation or allow unfettered glimpses into her private life. Just unbelievable. It's almost like being a sponge and you just have to absorb everything in order to have all of the goods to make something out of that.
",Whatever Harvey thinks about the Libyan intervention, or about any specific political controversy, she keeps to herself but the richness and ambiguity of,"I didn't want to tell people what to think or feel," she says.

The songs they played were windows on the world beyond. I knew that although, obviously, I'm an English woman and I live in England… what does that mean, anyway? I suspect she just doesn't want to give away any information that might enable people to slap a label on her. "I can't work out how to turn it off," she says apologetically. ",Even so, I wonder if she ever misses the jolting release of strapping on an electric guitar, turning it up loud, and bashing out a song in a couple of hours. I like to roll around laughing with tears streaming down my face.

".PH: I think there are many different levels to it.

Maybe because we actually get up and perform our work… but then, that doesn't hold water either because often playwrights or film writers are within their plays and films. Certainly that night at the Troxy it had a different meaning because of what was happening at the time, and I'm sure it did for many people in the room as well. I knew that before I even began; that was at the forefront of my mind the whole time. "Or indeed any of the songs on the record – how you can apply them to different situations. To find out more, click here.As a wholly independent publication, we rely entirely on our ad bookings to keep The Quietus going.
And that might be as simple as an instrument you don't know how to play, or it might be in terms of lyrically what I'm going to enter into. "I went within my mind but I'd still like to go there and see if the place I went in my mind is how it is. This, in some ways, feels like the start of a whole body of work yet to come.PH: I can't say at the moment, because it's early stages. I'm reading John Burnside's poems at the moment. Do you know his work? Some may just be poems or short prose, some may become songs.

I was involved in different action groups at the school. On 3 August 2013, Harvey released a song Shaker Aamer in support of the Guantanamo Bay detention camp detainee by the same name who was the … I always have been [inspired by current events], but like I said, I didn't feel I had the language at my disposal to write about such things in song and do it well. "I've been writing songs for many years, and you become more accustomed to taking care of that – knowing how much to expose yourself, knowing how to pace yourself. Equally I laugh out loud quite a lot and I love comedy. WB Yeats. "With songs I almost see the images, see the action, and then all I have to do is describe it.

We all have this sense of love and hate with the nation that we're born into and live with. The rest of the world gasped as well: WWI hastened the Russian Revolution, coaxed the U.S. into isolationism and a flirtation with pacifism, and set the tone for a shunned Germany to embrace the Third Reich. Swap out the place names with others, though, and the message remains the same. But I went over to Berlin and couldn't find a place that felt right, so I was still looking for places - and then, just coincidentally, the man who runs this church as an arts centre approached me and said if I ever wanted to use it for rehearsing I could, because he liked my music and knew I lived nearby. I remember thinking about money a lot, and how this thing that meant so much was just a piece of paper." There had to be hope amongst disaster. She indicates a volume of Harold Pinter's poetry that she has brought with her. It was little more in the forefront of my mind, because I needed to find a way to narrate the words, and do it well. James Joyce." It had to be wide open. More a purity of voice - not trying to adopt anything, particularly. So it was a difficult process, particularly when writing this record, because I feel like I've just begun on this whole different way of using words and addressing different issues.

Even embracing a more narrative approach to her lyrics, most notably with.With its depictions of warfare, though, it seems impossible that current events weren't a catalyst.

Bookended by a cup of green tea on her side and a Dictaphone on ours, it's a physical gap of roughly eight feet; at times, though, it feels closer to 80. You just close up all your edges and carry on about your day. They'll all get a chance, so to speak: Harvey commissioned war photographer,Even a cursory glance at the album-- its title, song titles, lyrics-- marks this as a very English record. She clutches her chest and laughs. That it's also a joy to hear is perhaps the most confounding juxtaposition of all, turning a record you'll respect into one you'll also love*. Ben Hewitt meets Polly Harvey to discuss singing about things that really matter and avoiding self-righteousness on her new album,A dark, sleek mahogany table separates Polly Harvey from The Quietus. Getting a record right … A lot of Dylan's work, especially the early 60s. On Let England Shake, Harvey is not often upfront or forceful; her lyrics, though, are as disturbing as ever.


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