Stunned by Bowman's appearance, Floyd returns to the Leonov to confer with Captain Tanya Kirbuk, who remains skeptical. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. The Monoliths begin shrinking Jupiter's volume, increasing the planet's density, and modifying its chemical composition. "2010 (1984)" has been badly criticized for adding the American-Russian tensions as a backdrop for the movie and is heard in the dialogue between the characters at times. 2010 Official Soundtrack Album (cat: AMA 5038). Blue-screen photography was used in the scene in which Floyd uses two pens to demonstrate his plan to dock the two spaceships together for the film's climax. Back on Earth tension between the United States and the Soviet Union escalates to war, and the Americans are ordered to leave the Leonov and move to the Discovery, with communication with each other forbidden except in an emergency. The U.S. government agrees to a joint mission when it is determined that Discovery will crash into Jupiter's moon Io before Discovery Two is ready. The Meanest Digital Artificial Intelligence, Most Ground-Breaking Visual Effects in Films, Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA. ; the Discovery's A.I. [12] It was held off from the top spot by Beverly Hills Cop, which became that year's highest-grossing film in North America. If it met with his approval, I would do the film; and if it didn't, I wouldn't. Borat is back! He's one of my idols; simply one of the greatest talents that's ever walked the Earth. [24], This article is about the 1984 film. "[4] Metro-Goldwyn-Mayer subsequently worked out a contract to make a film adaptation, but Kubrick had no interest in directing it. But then they have to keep the secret. It finished with just over $40 million at the domestic box office and was the 17th highest-grossing film in North America to be released in 1984. Early in the production of 2010: The Year We Make Contact, Hyams had learned that all the original large spacecraft models from "2001", including the original 50-foot model of the Discovery One, had been destroyed following the filming, as ordered by Kubrick, as had all the original model-makers' designs for building the Discovery One. Directed by Peter Hyams. The effects were produced by Boss Film Studios, then named the Entertainment Effects Group (EEG), the special effects house created by Douglas Trumbull and Richard Edlund, who contributed to the effects on 2001. LANDING THERE The Soviets believe the burst was simply electrostatic build-up, but Floyd suspects it was a warning to stay away from Europa. While an international dispute causes tension between the United States and the Soviet Union, both nations prepare space missions to determine what happened to the Discovery; the Soviet spacecraft Leonov will be ready before the American spacecraft Discovery Two, but the Soviets need American astronauts to help board the Discovery and investigate the malfunction of the ship's sentient computer, HAL 9000, which caused the disaster. [23] It won the Hugo Award for Best Dramatic Presentation in 1985. '[4], While he was writing the screenplay in 1983, Hyams (in Los Angeles) began communicating with Clarke (in Sri Lanka) via the then-pioneering medium of e-mail using Kaypro II computers and direct-dial modems. It holds a 66% "Fresh" rating with an average score of 5.78/10 on Rotten Tomatoes, based on 35 reviews. In addition, a Time magazine cover about the American–Soviet tension is briefly shown, in which the President of the United States is portrayed by Clarke and the Soviet Premier by the 2001 film's writer, producer and director, Stanley Kubrick. And, in a lighter vein, actor JOHN LITHGOW seeming to enjoy his first big science fiction feature by having a high time on the high wires and told to take it more seriously because "astronauts don't clown around up there." [14], In 1984, Marvel Comics published a 48-page comic book adaptation of the film by writer J. M. DeMatteis and artists Joe Barney, Larry Hama and Tom Palmer. ARE YOURS EXCEPT The models were filmed as they would appear in space, then a white background was placed behind the model and the first pass was repeated.

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