The Happy Accidents of the Swing “The Happy Accidents of the Swing” by Jean-Honoré Fragonard depicts an elegant young woman on a swing with two men on either side of the swing. Free visit and guided tour. This website uses cookies that are necessary for the website’s proper functioning, and which cannot be refused. Jean-Honoré Fragonard (1732 – 1806) became a prominent painter within the Rococo artistic movement, which was filled with light colors, asymmetrical designs, and curved, natural forms. The diagonal axis is composed on the one end, by the lady’s leaning figure and her extended arm holding on to the shawl that is diagonally draped over the table, at the other end. In subject and presentation—note the verdant outdoor setting, spirited brushwork and exuberant color—this painting was meant to engender happiness in the viewer. When the first critics and connoisseurs who participated in his rediscovery in the 19th century reconstructed his career, they were tempted to confuse his own life with the life of one of his characters. Jean-Honoré Fragonard (French: [ʒã onoʀe fʀaɡonɑʀ]; 4 April 1732 – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. When I saw the beauty of the Raphaels, I was moved to tears, Marguerite Gérard’s destiny is closely linked to Jean-Honoré Fragonard’s life story. They represent an important moment in the education and practice of the young artist; thanks to his having earned the prestigious Prix de Rome, Fragonard was able to study art in the Eternal City at the expense of the Crown. He also made a name for himself among connoisseurs thanks to his paintings in the anacreontic style in which he brilliantly masters the antique repertoire and a certain “graceful mythology”, as shown here in L’Innocence et la Fidélité ramenant l’Amour. The intriguing story behind the commission, rejection, and rehousing of Fragonard’s paintings is brought to life by Colin B. Bailey, former Deputy Director and Peter Jay Sharp Chief Curator at the Frick (now Director of the Morgan Library and Museum) in an updated video produced in 2013. Delve into the tumultuous life of Du Barry, who was born in poverty and clashed with Marie-Antoinette at Versailles. The family moved to Paris about 1738, and in 1747 the boy was apprenticed to a … This goddess was very likely part of an ensemble which included depictions of her eight sisters, the Muses, who ruled over the arts and sciences and offered inspiration to its practitioners. Celebrated as one of the 18th century’s most imaginative artists, Jean-Honoré Fragonard by name alone conjures up images of love and play, underscored with gently erotic themes. This ensemble is the second largest French collection of works by Jean-Honoré Fragonard after the Louvre and the first largest collection of the two other artists. Coroesus Sacrificing himself to Save Callirhoe He is clearing the flower bush with his hat for a better view. Sign up for news about exhibitions, events, and more. From 1756 to 1761 he was in Italy, where he eschewed the work of the approved masters of the High Renaissance, but formed a … Spanning three floors, the museum is divided into permanent and temporary exhibition rooms. Fragonard’s skills are evident in the diagonal composition framed by the two doors. No. All Rights Reserved. The Museum of Provençal Costumes and Jewellery – open. The girl is reading from a small book held, and a cushion resting against a wall supports her back. The intriguing story behind the commission, rejection, and rehousing of Fragonard’s paintings is brought to life by Colin B. Bailey, former Deputy Director and Peter Jay Sharp Chief Curator at the Frick (now Director of Museums at the Fine Arts Museums of San Francisco).

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